- Second Nomination, First Win: Szalay was previously shortlisted for the Booker Prize in 2016 for his novel-in-stories, All That Man Is.
His win for Flesh marks a successful return to the shortlist and a major literary achievement.
- "Risky" Title: Szalay recalled asking his editor whether she could imagine a novel called "Flesh" winning the Booker Prize, highlighting the blunt, physical nature of the title which he felt was "unliterary" and a creative risk.
- Unanimous Decision: The 2025 judging panel, chaired by Roddy Doyle (who won the prize in 1993), stated that the decision to award Szalay was unanimous after a five-hour deliberation.
- ✍️ Unique Style and Structure
The Power of Omission (White Space): The judges praised the novel for its "spareness of the writing" and its brilliant use of "white space on the page." Critical life events—including István's military service in the Iraq war, time in detention, and key emotional turning points—often happen off-page between chapters.
This technique forces the reader to fill in the gaps and observe the character through what is not said. The "OK" Man: The protagonist, István, is a famously taciturn and emotionally detached character.
His most common remark throughout the novel is the simple, noncommittal word "OK," which acts as a shield to avoid emotional expression or lengthy conversations. Focus on the Physical: Szalay stated he wanted to write a book about "life as a physical experience" and the "primacy the novel gives to the demands and impulses of the body," arguing that our existence is physical before it is anything else.
🌍 Author and Theme Context
First Hungarian-British Winner: Szalay is the first Hungarian-British author to win the Booker Prize.
He was born in Canada, grew up in the UK, and has a Hungarian father. This complex background is reflected in the novel, which stretches between Hungary and London. Born from Failure: Szalay began writing Flesh only after abandoning another full-length novel he had been working on for four years and had reached over 80,000 words.He admitted the core concept of the previous project was "wrong." Focus on the Working Class: The book was praised for "homing in on a working-class man" (István) who, according to the judges, ordinarily does not get much attention in literary fiction, exploring themes of masculinity, class, migration, and power.

